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almighty wheels you think
wheels can think ?
can you ? o
you almighty o you
almighty wheels you think
wheels can think ?
can you ? o
you almighty o you
almighty wheels you think
wheels can think ?
can you ? o
you almighty o you
almighty wheels you think
wheels can think ?
can you ? o
you almighty o you
almighty wheels you think
wheels can think ?
can you ? o
you almighty o you
almighty wheels you think
wheels can think ?
can you ? o
you almighty o you
almighty wheels you think
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My (I think) original adaptation on the form of a pantoum, in which each line comprises one word (or, in one case, punctuation mark.) For space's sake each line of the poem is really four lines of the pantoum. Inspired in content by the protests against the Metropolitan Opera's production of The Death of Klinghoffer, inspired in form primarily by the work of Philip Glass and Steve Reich.