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Ten Variations on a Song
I
When the voice sings,
the heart sings a different kind of song.
II
The two heartbeats are out of tempo:
the fetus’s pulse rushes on like a never-ending melody;
the mother’s sings a lullaby instead.
And yet they share a vessel,
one form of the same tune.
III
In three-four time the heart monitor beeps.
One, two, three: Grandpa is still alive,
as if he and death were dancing a waltz
seeing who backed out of the dance first.
One, two, three;
One, two, three;
One, two—
IV
There once was a song
that I heard in the hum of summer crickets.
It vanished into the winter frost.
V
I lived under a house of illusions once.
In that house, you could make your own choices,
your own music.
Outside that house, though, there was no songwriting.
You sang what you were given;
your own songs mattered not.
Isn’t reality cruel sometimes?
VI
I know why the caged bird sings,
and beats on the bars of his own vocal cords.
Get me out, get me out, get me out.
I know what would happen if someone came along
and tore out the bird’s throat and his will to live.
Who keeps a bird malnourished but alive
if not for it to sing?
VII
And what happens if that bird is malnourished but alive
but refuses to sing?
VIII
They repeat and repeat
and repeat
and repeat
and repeat—
IX
When the voice sings,
the heart sings a different kind of song…
X
I dedicate this song to the caged birds.
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Inspired by Wallace Stevens's "Thirteen Ways of Looking at a Blackbird," this poem interprets what a song could mean in ten different variations—a musical term that describes the repetition of a motif in a different form.